Like most composers, Julia Wolfe is often in two places at once psychically: working on new pieces (with working defined as anything from cogitating and experimenting to actually putting the notes on paper) but also seeing that the backlist is getting attention. In recent weeks she has been putting the finishing touches on “Iron Maiden,” a new solo work for the percussionist Evelyn Glennie, and working on “Combat de Boxe,” for the Asko Ensemble of the Netherlands…
Julia Wolfe’s 2021-2022 Carnegie Hall Debs Composer’s Chair residency commences with the video premiere of Oxygen, a rapid-fire composition for 12 flutes. Written during the pandemic and filmed in October 2021, Oxygen features an all-star cast of flutists coming together to collaborate after more than a year of artistic isolation. The work was commissioned by the National Flute Association and premiered in March 2021 at the Blair School of Music, led by flutist Molly Barth…
Julia Wolfe has been announced as the Richard and Barbara Debs Composer’s Chair at Carnegie Hall for the 2021–2022 season. Wolfe creates music that has been described as emotionally charged, viscerally powerful, and socially conscious. As a composer, she responds to the world around her, bringing unsung histories to life in riveting musical tableaux, with a focus on the multifaceted history of the American worker…
This season Julia Wolfe’s large works for string orchestra, Fuel and Cruel Sister, are performed at Carnegie Hall by two of the country’s leading interpretors of contemporary works.
It’s been a long time coming, but Shelter is finally here!
The latest collaborative work by Michael Gordon, David Lang, and Julia Wolfe is a modern oratorio that reunites the Bang on a Can founders with Deborah Artman (author of the libretto for 2001’s Lost Objects). Produced by Michael Riesman, this premiere recording was performed by Ensemble Signal under the baton of conductor Brad Lubman, and features solo voices Martha Cluver, Mellissa Hughes and Caroline Shaw…
