Sometimes, all you need is a little push. In the fall of 1976, when Julia Wolfe arrived at the University of Michigan from Pennsylvania, she was just 17 and viewed herself as a “wild teenager” with her sights on social sciences and politics. Activism was a possible path. Music wasn’t on her radar.
But one day, a friend coaxed Wolfe into taking a peculiar music class, taught by a forward-thinking Quaker who didn’t care how much you knew about composing…
Julia Wolfe named Inaugural Festival Director of Cincinnati Symphony’s 2024 May Festival May 17-25
Concerts include the world premiere of Wolfe’s new choral fanfare All that breathes, her recent works with orchestra, Her Story and Pretty, as well as her Pulitzer Prize-winning work for chorus and ensemble, Anthracite Fields; plus Michael Gordon’s Natural History and David Lang’s the national anthems; with special guests the Bang on a Can All-Stars, Lorelei Ensemble, and Steiger Butte Singers joining the Cincinnati Symphony and May Festival Chorus…
Co-commissioned by the Nashville Symphony, Chicago Symphony Orchestra, Boston Symphony Orchestra, San Francisco Symphony, and National Symphony Orchestra, Julia Wolfe’s Her Story is written for orchestra and women’s vocal ensemble …
March 16-18 followed by performances with: San Francisco Symphony and National Symphony
[Her Story] has a ferocity that is literally written into the score, but also an absence of resolution as it looks back to suffrage with one wary eye toward the future steps this country still needs to take for something resembling true equality…