Sometimes, all you need is a little push. In the fall of 1976, when Julia Wolfe arrived at the University of Michigan from Pennsylvania, she was just 17 and viewed herself as a “wild teenager” with her sights on social sciences and politics. Activism was a possible path. Music wasn’t on her radar.
But one day, a friend coaxed Wolfe into taking a peculiar music class, taught by a forward-thinking Quaker who didn’t care how much you knew about composing…
Composer Julia Wolfe, second from right, spoke with members of the public as part of a special event, co-presented with the New York Philharmonic, at the Tenement Museum earlier this month. Photo: Agaton Strom for The Wall Street Journal By Elizabeth Yuan Jan…
LEWISBURG, Pa. — Onstage, a choir intoned the names of coal miners whose deaths and injuries had landed them on the Pennsylvania Mining Accident index more than a century ago. In the lobby, members of the audience — some of whom came on free shuttle buses that picked them up from nearby coal towns — created an index of their own, writing about their mining ancestors in a small leather notebook held open with a coal paperweight…
NEW YORK — Among downtown New York composers, few stick so relentlessly to the cutting edge as Julia Wolfe.
Now 50, she recently wrote a piece for nine bagpipes that sent her two children running for cover in her SoHo loft. Even her husband, Michael Gordon, who with her cofounded the composer collective Bang on a Can, has been moving toward more mainstream music for opera and film…
Julia Wolfe’s 2021-2022 Carnegie Hall Debs Composer’s Chair residency commences with the video premiere of Oxygen, a rapid-fire composition for 12 flutes. Written during the pandemic and filmed in October 2021, Oxygen features an all-star cast of flutists coming together to collaborate after more than a year of artistic isolation. The work was commissioned by the National Flute Association and premiered in March 2021 at the Blair School of Music, led by flutist Molly Barth…