Fountain of Youth premiere
April 26, 2019
The Fountain of Youth
Michael Tilson Thomas
New World Symphony
America’s Orchestral Academy
April 26-27 in Miami Beach, Florida, Michael Tilson Thomas and the New World Symphony premiere Julia Wolfe’s newest work, Fountain of Youth, co-commissioned by NWS and Carnegie Hall with a consortium of orchestras: Cincinnati Symphony, Dallas Symphony, Detroit Symphony, Pittsburgh Symphony, and San Francisco Symphony.
MTT and NWS give the New York premiere of Fountain of Youth on May 1 at Carnegie Hall.
Last January Wolfe visited NWS to workshop Fountain of Youth with MTT and the Fellows. She describes the experience and her inspiration for this piece:
Writing music for me is very autobiographical, almost frighteningly so. This piece in particular has a kind of build from the beginning. I’d say it’s intense pretty much all the way through, but different kinds of intensity. It’s a kind of playful way of working with tension. But it’s very, very personal. It’s me traveling down a path, tapping into this joyful sense of youth.
It’s incredible to get a phone call from Michael Tilson Thomas. He’s one of the greatest musicians of our time, and so forward-looking, so adventurous. When a composer has that opportunity to interface with him, it’s quite remarkable. The phone call with him was completely delightful. He was talking to me about some of the work I’ve done, and some recent pieces have addressed very serious, heavy subjects: coal miners, garment workers, strife in the workplace. We were talking about, for this piece, going in a totally different direction, focusing on serious fun. And I loved that idea. I write a lot for electric guitar and amplified ensembles, it has that kind of rhythmic groove and that drive, and I thought, ‘Let’s bring that to the orchestra,’ that sensibility that is so me, and also that I knew Michael could have a lot of fun with, and of course be amazing at the podium.
What a wonderful gift to work with players right at this generation. Who knows what they’re listening to on their iPod but it’s not just Beethoven. I’m also known for gritty sounds, and bringing in other musics—folk music sensibilities, elements of pop music, you will hear a sort of blues sensibility at times, certainly some fiddling in the strings, and who better than the New World Symphony to realize this!
— Julia Wolfe