January 24–26, the New York Philharmonic premiered Julia Wolfe’s Fire in my mouth, commissioned by the orchestra, Cal Performances at the University of California, Berkeley; the Krannert Center at the University of Illinois Urbana-Champaign, and the University Musical Society at the University of Michigan, Ann Arbor.
Wolfe’s music focuses on the garment industry in New York City at the turn of the century — specifically the 1911 Triangle Shirtwaist Factory fire, which killed 146 garment workers, most of them young, female immigrants…
Julia Wolfe’s large-scale work for choir and orchestra Fire in my mouth is released digitally today (August 30) on Decca Gold. It was recorded live at the world premiere in January 2019 by the New York Philharmonic, The Crossing and The Young People’s Chorus of New York City. The physical album will be available October 4.
Fire in my mouth is based on the garment industry in New York City at the turn of the century, with a focus on the 1911 Triangle Shirtwaist Factory fire and its aftermath…
It’s been a long time coming, but Shelter is finally here!
The latest collaborative work by Michael Gordon, David Lang, and Julia Wolfe is a modern oratorio that reunites the Bang on a Can founders with Deborah Artman (author of the libretto for 2001’s Lost Objects). Produced by Michael Riesman, this premiere recording was performed by Ensemble Signal under the baton of conductor Brad Lubman, and features solo voices Martha Cluver, Mellissa Hughes and Caroline Shaw…
As part of the New York Commissions to honor the New York Philharmonic’s 175th season (2016-17) with New York-themed works by New York-based composers who have strong ties to the Philharmonic, Julia Wolfe presents a new evening-length piece for orchestra and women’s choir about women in the American work force. The Philharmonic plans to present this piece in 2018-19.
Wolfe has previously explored American labor history with Steel Hammer, her reimagining of the John Henry legend, and Anthracite Fields, an oratorio about Pennsylvania coal miners…
Big Beautiful Dark and Scary is one continuous and compelling swell that lives up to every adjective in the title. Wolfe’s music is constantly pushing forward through waves of tension and tremolo until it finally releases a scant 10 seconds before the end of the piece.
— Sequenza21
Anthracite Fields: tours Pennsylvania
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[Anthracite Fields] captures not only the sadness of hard lives lost…but also of the sweetness and passion of a way of daily life now also lost…
From November 5-11, two European festivals feature music by Julia Wolfe:
• 11/5: Sounds of Music Festival (Groningen, NL) — the JACK Quartet performs Early that summer • 11/7: Strings of Autumn Fesitval (Prague, CZ) — Bang on a Can All-Stars perform Anthracite Fields with Martinů Voices • 11/8: Sounds of Music Festival — Trash Panda Collective presents Dark Full Ride • 11/9: Sounds of Music Festival — Impatience, Lick, and Girlfriend performed by Ensemble Klang and the Prins Claus Conservatorium; Earring performed by Saskia Lankhoorn; Lick and Girlfriend performed by Ensemble Klang; Reeling performed by the Bang on a Can All-Stars • 11/10: Sounds of Music Festival — Anthracite Fields performed by the Bang on a Can All-Stars with Cappella Amsterdam • 11/11: Sounds of Music Festival — Impatience, On Seven-Star-Shoes and Believing performed by the Prins Claus Conservatorium
On May 30 and 31, the NY PHIL Biennial presents the New York premiere of Julia Wolfe’s newest work, Anthracite Fields, with the Bang on a Can All-Stars and the Choir of Trinity Wall Street (Julian Wachner, conductor). In the new work, Wolfe draws from oral histories, interviews, speeches, geographic descriptions, local rhymes, and coal advertisements to create a unique oratorio that provides an intimate look at an important slice of American life…