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Lost Objects (2001) 62'

music by Michael Gordon, David Lang and Julia Wolfe; Text by Deborah Artman

Sop, 2 countertenors, small chor, DJ, baroque orch, egtr, eb, perc, synth [all instruments and voices amplified]

Dresden Festival

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The Carbon Copy Building (1999) 72'

music by Michael Gordon, David Lang and Julia Wolfe; Text by Ben Katchor

Cast: Ms, T, Bar, Bar/Ct; cl(bcl, cbcl, ssx)/perc/syn/egtr [all instruments and voices amplified]

Settembre Musica Festival and the city council of Turin, Italy, with additional support from the National Endowment for the Arts.

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Cincinnati Symphony’s May Festival May 17-25

Julia Wolfe named Inaugural Festival Director of
Cincinnati Symphony’s

2024 May Festival
May 17-25

Concerts include the world premiere of Wolfe’s new choral fanfare All that breathes, her recent works with orchestra, Her Story and Pretty, as well as her Pulitzer Prize-winning work for chorus and ensemble, Anthracite Fields; plus Michael Gordon’s Natural History and David Lang’s the national anthems; with special guests the Bang on a Can All-Stars, Lorelei Ensemble, and Steiger Butte Singers joining the Cincinnati Symphony and May Festival Chorus…

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Lad (2007) 17'

nine bagpipes

the River to River Festival

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Four Marys (1991) 11'

string quartet

the Koussevitzky Foundation

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Steel Hammer on European tour

From May 9 through 13, Julia Wolfe’s Steel Hammer, her evening-length exploration of the American tale of John Henry, receives several European premieres with the Bang on a Can All-Stars and Trio Mediaeval.

May 9: Belgian premiere at the Concertgebouw Brugge

May 11: UK premiere at the Barbican Center in London, part of the festival A Scream and an Outrage

May 13: Swedish premiere at the Uppsala Konsert & Kongress

Wolfe explains her work:

Steel Hammer is inspired by my love for the legends and music of Appalachia…

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Steel Hammer at MASS MoCA in North Adams, MA July 27

On July 27, the Massachussetts Museum of Contemporary Art and Bang on a Can present Julia Wolfe’s mesmerizing evening-length art ballad Steel Hammer as part of the Bang on a Can Summer Festival.

The work is inspired by her love for the legends and music of Appalachia, and culls from both the music and oral traditions of the region. The text is taken from over 200 versions of the John Henry ballad – based on hearsay, recollection, and tall tales – and explores the subject of human vs…

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