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Recent concerts

Thursday, April 20, 2017
Louisville Symphony Orchestra

Teddy Abrams, conductor
Louisville, KY

Big Beautiful Dark and Scary is one continuous and compelling swell that lives up to every adjective in the title. Wolfe’s music is constantly pushing forward through waves of tension and tremolo until it finally releases a scant 10 seconds before the end of the piece.

— Sequenza21

Anthracite Fields: tours Pennsylvania


[Anthracite Fields] captures not only the sadness of hard lives lost…but also of the sweetness and passion of a way of daily life now also lost…

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interviews

Pittsburgh Tribune-Review

April 22, 2015

Julia Wolfe descended hundreds of feet underground, into a dank, dark cavern with gleaming black walls: a Pennsylvania coal mine.

“You can’t believe people spent all day there,” Wolfe recalled Tuesday. “It was spooky, a little bit, but so fascinating, a strange kind of beauty.”

Wolfe’s visit helped inspire “Anthracite Fields,” a choral tribute to the state’s mining heritage – and, now, winner of the Pulitzer Prize in music. The judges described her work as a “powerful oratorio for chorus and sextet evoking Pennsylvania coal-mining life around the turn of the 20th Century.”

“I’m a little stunned,” Wolfe, a music professor at New York University, said a day after her win…

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The New York Times

February 1, 2011

By Allan Kozinn

Like most composers, Julia Wolfe is often in two places at once psychically: working on new pieces (with working defined as anything from cogitating and experimenting to actually putting the notes on paper) but also seeing that the backlist is getting attention. In recent weeks she has been putting the finishing touches on “Iron Maiden,” a new solo work for the percussionist Evelyn Glennie, and working on “Combat de Boxe,” for the Asko Ensemble of the Netherlands…

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Los Angeles Times

March 2, 2016

By David Ng

When you win a Pulitzer Prize for music, you hear about it just like everyone else — in the news perhaps, or from other people who read about it before you do.

You don’t know anything, said composer Julia Wolfe, who won the coveted award last year for her choral piece Anthracite Fields, an unconventional exploration into the history of coal mining in rural Pennsylvania.

Wolfe recalled that she was at home in her Tribeca loft, working with colleagues from the Bang on a Can ensemble, when a call came in from Washington, DC…

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Anthracite Fields feature:

As Trump Tries to Revive Coal, an Oratorio Confronts Mining’s Past

By MICHAEL COOPER APRIL 4, 2017

LEWISBURG, Pa. — Onstage, a choir intoned the names of coal miners whose deaths and injuries had landed them on the Pennsylvania Mining Accident index more than a century ago. In the lobby, members of the audience — some of whom came on free shuttle buses that picked them up from nearby coal towns — created an index of their own, writing about their mining ancestors in a small leather notebook held open with a coal paperweight…

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Steel Hammer film premiere at Cal Performances at Home (streaming)

Cal Performances at Home premieres Steel Hammer, a new film featuring the acclaimed oratorio by Julia Wolfe. Film will be available on demand through August 4.

Described by The Boston Globe as “[an] epic explosion and reconstruction of the folk ballad,” Julia Wolfe’s Steel Hammer is a meditation on over 200 versions of the John Henry legend, with voices and the Bang on a Can All-Stars, along with mountain dulcimer, wooden bones, banjo, harmonicas, clogging, and body percussion…

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