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Contemporary Dance Theater

As part of the New York Commissions to honor the New York Philharmonic’s 175th season (2016-17) with New York-themed works by New York-based composers who have strong ties to the Philharmonic, Julia Wolfe presents a new evening-length piece for orchestra and women’s choir about women in the American work force. The Philharmonic plans to present this piece in 2018-19.

Wolfe has previously explored American labor history with Steel Hammer, her reimagining of the John Henry legend, and Anthracite Fields, an oratorio about Pennsylvania coal miners…

Julia Wolfe’s large-scale work for choir and orchestra Fire in my mouth is released digitally today (August 30) on Decca Gold. It was recorded live at the world premiere in January 2019 by the New York Philharmonic, The Crossing and The Young People’s Chorus of New York City. The physical album will be available October 4.

Fire in my mouth is based on the garment industry in New York City at the turn of the century, with a focus on the 1911 Triangle Shirtwaist Factory fire and its aftermath…

On October 11 on the Ether Festival at London’s Southbank Centre, international percussion super star, Colin Currie (with Keith Lockhart and the BBC Concert Orchestra) premieres Wolfe’s newest work for orchestra, riSE and fLY for percussion and orchestra, at the South Bank Centre’s Ether Festival in London.

Using street percussion (buckets and junk percussion) and Appalachian body percussion, Wolfe weaves the soloist into the quilted texture of the orchestra to create an introspective and breathtaking experience…

At the Barbican Centre in London, on March 20, 2012, the Bang on a Can All-Stars premiere Field Recordings — with new works by Gordon, Lang and Wolfe. The evening-length project that is as much a mystery as a concert – a kind of ghost story. The ghosts aren’t the physical presence of people gone before, but they are the ghosts of sounds, images, ideas, and voices. Each composer has been asked to find and interact with something recorded before, using the power of music made right in front of us to reach out to other things not present…

On July 27, the Massachussetts Museum of Contemporary Art and Bang on a Can present Julia Wolfe’s mesmerizing evening-length art ballad Steel Hammer as part of the Bang on a Can Summer Festival.

The work is inspired by her love for the legends and music of Appalachia, and culls from both the music and oral traditions of the region. The text is taken from over 200 versions of the John Henry ballad – based on hearsay, recollection, and tall tales – and explores the subject of human vs…

This season Julia Wolfe’s large works for string orchestra, Fuel and Cruel Sister, are performed at Carnegie Hall by two of the country’s leading interpretors of contemporary works.

On October 25, Robert Spano leads the American Composers Orchestra in their Carnegie performance of Julia Wolfe’s full-throttled work for strings, Fuel, on a concert dubbed “Orchestra Underground: Adding Fuel to the Fire”…

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On Tuesday April 29, Cantaloupe Music releases Julia Wolfe’s much-anticipated recording of her evening-length art ballad, Steel Hammer.

Inspired by her love for the music and lore of Appalachia, Wolfe based her text for Steel Hammer on over 200 versions of the American legend “John Henry”, which has been recorded by everyone from Johnny Cash to Bruce Springsteen…